DCC Poblano Flash Cure Unit
DCC Poblano Flash Cure Unit
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- DESCRIPTION
- Specifications
- REVIEWS
DCC's Versatile Freestanding Quartz Flash Cure System
The Poblano Flash Unit from DCC has a universal design that fits most brands’ presses. An adjustable sensor switch can be positioned on either side of the flash cure unit, activating the flash when the printing pallet approaches. It has an automatic cut-off mechanism that safeguards heater components by turning off the lamps when the temperature exceeds a certain threshold. Three flash curing zones can be operated independently or in any combination, with toggle switches Flash cure duration can be controlled by a timer. The flash cure unit ensures consistent curing with a reflector array & forced air heat exchange. Smooth-rolling, locking casters make moving the flash fast & easy.
- Universal flash design to fit most brands' presses/Manual presses
- High power Medium-wave sealed tungsten filament quartz lamps
- Test button to use the flash in manual mode
- Automatic cut-off mechanism that safeguards heater components by turning off, the lamps when the temperature exceeds a certain threshold
- An adjustable sensor switch can be positioned on either side of the flash cure unit, activating the flash when the printing pallet approaches
- Three flash curing zones can be operated independently or in any combination, with toggle switches
- Flash cure duration can be controlled by an analog timer
- Caster wheels to easily move across different heads
Technical FAQ: Choosing the Right Screen Printing Mesh Count
What mesh count is best for printing glitter and shimmer inks?
Use a low mesh count between 24 and 86 for glitter and shimmer inks. Larger glitter flakes require very open meshes such as 24/25, 38/40, or 60/61 to allow particles to pass through without clogging. For finer shimmer inks or foil adhesives, an 85/86 mesh provides better control while still allowing adequate ink flow.
Why is 110 mesh commonly used in garment screen printing?
A 110 mesh count is widely used because it delivers a heavy ink deposit, making it ideal for bold graphics, block text, and high-viscosity plastisol inks. It is especially effective for white underbases, allowing printers to achieve strong opacity in a single pass and improve production efficiency.
What mesh count should I use for thick white plastisol ink?
A 125 mesh count is a strong choice for thick white plastisol inks. It balances ink flow and detail, offering slightly finer resolution than 110 mesh while still maintaining enough openness to prevent clogging or poor ink release.
What is the best all-purpose mesh count for t-shirt printing?
A 156/160 mesh count is considered the best general-purpose option for screen printing on garments. It works well with both plastisol and water-based inks, providing good detail retention while maintaining consistent ink coverage across most designs.
How can I achieve a soft-hand feel when printing with plastisol ink?
To create a softer print with plastisol ink, use a higher mesh count such as 196/200. This reduces the amount of ink deposited on the garment, resulting in a lighter, smoother feel. Keep in mind that higher mesh counts may reduce opacity, making this approach best for lighter fabrics or fashion prints.
What mesh count is ideal for halftones and fine detail printing?
A 230 mesh count is ideal for halftones, fine lines, and detailed artwork. It allows for precise stencil definition and clean ink transfer. For very fine detail or thinner inks, a 280 mesh count can further improve sharpness and control.
When should I use a 305 mesh screen for screen printing?
A 305 mesh count is best for ultra-fine detail, including small halftone dots, CMYK process printing, and simulated process designs. The higher thread count ensures accurate dot reproduction and prevents distortion, resulting in sharper, more professional prints.